Wayne-DuPage drag hounds head to covert. / Chris Carney photo
Drag hunting, according to conventional wisdom, is what a hunt does when its country is constricted by suburban development. Sometimes that’s true, but, more often, hunts follow a dragged line of man-laid scent because the Masters want to. And a few hunts have been doing it for more than a century.
Each type of hunting—live or drag—has its pluses and minuses, depending on the needs and priorities of the participants. Drag hunting offers a controlled hunting experience to the benefit of hounds, riders and landowners. With a judicious laying of the drag, hounds are safer because roads and other hazards can be avoided; farmer’s crops are protected from horse’s hooves; homeowners’ lawns and yards are not trampled; and small pets are safe from the attention of hounds (all assuming that hounds don’t riot).
For riders who seek a gallop over fences, drag hunting offers a more efficient use of time, with no standing on a windy hillside while hounds search a covert for a fox (which may or may not be found). Thus the drag-hunting day typically lasts about two to three hours, with guaranteed galloping and jumping, better suiting those with a busy schedule, rather than the three- to five-hour day usually consumed by the ebb and flow of live hunting.
Appalled as we are by the human death and casualty figures resulting from the Civil War, less known is the fact that well over a million horses died in service during that conflict. Many of those horses, belonging to officers and cavalrymen of both sides, must have carried their riders after foxhounds in happier days.
The late Paul Mellon believed that these animals deserved to be remembered, and he determined to create an authentic memorial for them. The result, a product of artistic genius coupled with painstaking research, is an exceedingly moving piece of sculpture. Any foxhunter or horse lover will be well-rewarded by a visit to the National Sporting Library and Museum in Middleburg, Virginia or to the U.S. Cavaly Museum at Fort Riley, Kansas to see either of the two castings from the original mold. (-Ed.)
The sculpture of the war-weary Civil War horse in the courtyard of the National Sporting Library had its origin in the mind of the late Paul Mellon.
In 1994 Mr. Mellon received a book for his eighty-seventh birthday titled The Cavalry Battles of Aldie, Middleburg and Upperville, June 10-27, 1863 by Robert F. O'Neill, Jr. O'Neill had conducted an enormous amount of research through books and newspapers of the period and letters and diaries of the participants that vividly brings those seventeen days to life. Reading of battles and bloodshed of human and horse right in this community had a profound effect on Mellon.
Rendez-Vous...in the Forest of Compiegne: preliminary painting for the tapestry by Jean-Baptiste Oudry at Fountainebleu
As a John H. Daniels Fellow at the National Sporting Library in Middleburg, Virginia, last fall, I did research concerning a series of nine large tapestries woven for Louis XV between 1736 and 1753 at the Gobelin manufacture. Called The Royal Hunts or The History of Louis XV, these tapestries decorated Louis XV’s favorite hunting chateau at Compiègne, just north of Paris. The artist who designed the tapestries, Jean-Baptiste Oudry* (1686-1755), was the official painter of the royal hunts who followed the hunt as part of the king’s entourage. He also painted numerous portraits of the royal hunting dogs.
Louis XV was known for his love of the hunt, and the series was meant to document the ritual of the hunt, the well-managed royal hunting grounds, and, of course, to glorify Louis XV. In the tapestries, as well as in the preliminary paintings for the tapestries now at the chateau of Fontainebleau, there are recognizable portraits of Louis XV, his hunt officers, his favorite horses and dogs, and specific sites in the royal forests of Fontainebleau and Compiègne. I was endeavoring to learn exactly what was transpiring in the images by consulting the eighteenth-century hunt treatises and manuals in the collection of the National Sporting Library.
You’re invited to visit Foxhunting Life at our stand in the vendor area at the Virginia Foxhound Show on Sunday, May 29, for a free chance to win a beautiful set of four hand-painted china plates in a humorous hound puppy motif. These plates will go home with the winner of our drawing through the courtesy of Lizi Ruch—foxhunter, artist, and designer of the popular Artfully Equestrian line of hunt-themed tableware and gifts.
June 9, 2010
MIDDLEBURG, VA – The Board of Directors of the National Sporting Library has announced a name change for the institution. It is now known as the National Sporting Library and Fine Art Museum.
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