sporting art

Hunters Moon by Will Ersland, courtesy of Cindy Piper, MFH, Long Lake Hounds (MN) Someone once told Will Ersland, “The horses and people in your paintings have great action—even when they’re standing still!"

Ersland sees himself as a visual journalist. “My paintings record a moment in time,” he says. “They are cropped the way I see the action, and each brush stroke is laid down with confidence and purpose based on my academic background and decades of drawing and painting.”

Ersland’s use of short, flat, planar brush strokes to highlight rounded shapes strikes me as an effective and unique element of his style.

“My style is dictated by the medium—acrylic paints—which dry very fast,” he explained. “I don’t even try to blend them. Instead, I build up form by starting with the darkest values and layering on the lightest values, usually following the form of the object with my brush strokes.

Country Pursuits: British, American and French Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts, by Malcolm Cormack, Published by the Virginia Museum of Fine Arts in association with the University of Virginia Press, 2007, 474 pages, illustrated, $62.00What a debt we all owe the late philanthropist Paul Mellon, whose love of horses and horse sports was expressed through the fabulous art collections that he so generously shared with us.

The Eclipse Award-winning breeder saddled legendary Thoroughbreds Sea Hero, Arts and Letters, and Mill Reef, just to name a few. His first British art purchase, in 1936, was a painting of a racehorse, "Pumpkin with a Stable-lad" by George Stubbs, said to be his favorite painting by one of his favorite artists. Pumpkin won sixteen out of his twenty-four races at Newmarket turf in the late 1770s and was described as an excellent runner.

“It was my very first purchase of a painting,” Mellon recalled later, “and could be said to be the impetus toward my later, some might say gluttonous, forays into the sporting art field.”

That Stubbs painting was donated to his alma mater, Yale, but the Virginia Museum of Fine Arts was another lucky recipient of Mellon’s “gluttonous” obsession with sporting art. Mellon’s donations are explored in Country Pursuits: British, American and French Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts by Malcom Cormack. Cormack was the Paul Mellon Curator at the VMFA in 1991 until his retirement in 2004. He also once served as the Curator of Paintings at the Yale Center of British Art established by Mellon.

The National Sporting Library and Museum (NSLM) in Middleburg, Virginia has mounted a comprehensive exhibit in two parts: the paintings of Edward Troye and the archives of his biographers, Harry Worcester Smith and Alexander Mackay-Smith. The paintings (on view in the Museum) and the archives (exhibited in the Library) may now be seen through March 29, 2015.

Troye played an important role not only in American art but also in preserving the images of leading American Thoroughbreds of the nineteenth century. Highlights of the exhibit include many of Troye’s most recognized portrayals of important racehorses, jockeys, and trainers of the antebellum period.

Edward Troye gained artisitic renown painting America's greatest bloodstock of the mid-twentieth century. / 1872 photographic print, National Sporting Library and Museum Archives, Harry Worcester Smith papersFoxhunting Life is proud to publish this preview of the stories behind one of the most important exhibition of the works of Edward Troye ever mounted.

It is said that “traces of the soul can be found in boxes in the archives.” Where letters, scrapbooks, newspaper clippings, jotted notes-to-self and snippets of individuals’ lives are kept, distractions lurk and surprises are inevitable. And patience is rewarded with a story.

The archives of the National Sporting Library and Museum in Middleburg, Virginia contain the story of three men whose lives spanned two centuries, whose interests overlapped, and whose souls were kindred: Artist Edward Troye (1808-1874), the indomitable sportsman Harry Worcester Smith (1864-1945), and the scholar, chronicler, and author Alexander Mackay-Smith (1903-1998).

Foxhounds and Terrier / painting by John Emms

A major exhibit and sale of paintings by John Emms (1843–1912) will be mounted by the William Secord Gallery in New York City from February 8 to March 15, 2014. This will be the largest and most comprehensive exhibition of Emms’ work and is timed to coincide with this year’s Westminster Dog Show. More than fifty paintings of foxhounds, terriers, spaniels, and other sporting breeds are included. Foxhunters visiting New York during the MFHA Annual Meeting week are invited to visit the Gallery for a preview of the entire exhibit.

Born the son of an amateur artist in Norfolk, England, the young Emms moved to London where he apprenticed with the great academic painter, Lord Frederick Leighton. Emms soon went on his own, painting images that capture the beauty of English country life. An avid foxhunter, Emms maintained studios in London and in the New Forest area of England.

Scurry of the Orange County Hunt by Jean Bowman
A satellite gallery of the Museum of Hounds and Hunting at Morven Park is open in Middleburg for art-minded Christmas shoppers. Sporting art—original paintings, signed prints, and sculptures by contemporary American artists are for sale at prices ranging from $385.00 to $9,600.00 with all sales benefitting the Museum.

Modestly priced items—books, calendars, note cards, and sporting novelties—are also available. Whether or not you are ready to shop, it’s worth a stop if only to see what today’s talented, contemporary artists are producing and to learn more about the Museum, its permanent exhibits, and its programs.

One of the surprising items for sale is the limited edition print of the late Jean Bowman’s brilliant 1989 Scurry of the Orange County Hounds. Four of these prints were recently found safely in storage, Jean Bowman having been a member of the Museum Advisory Committee and a generous supporter. Two of the prints are signed by Ms. Bowman, and the price is still a very reasonable $385.00. The prints come with a key identifying the figures, among them James L. Young, MFH; Governor Bruce Sundlin; Jacqueline Kennedy Onassis; the Hon. Charles Whitehouse; Senator John Warner; Melvin Poe, huntsman; the artist herself; and sixty-six other notable members.

Other artists represented in the benefit sale include Anita Baarns, Cynthia Benitz, Jean Clagett, Mary Coker, Mary Cornish, Teresa Duke, Sandra Forbush, Juli Kirk, Nancy Kleck, Gail Guirrei Maslyk, Alice Porter, Belinda Sillars, Dana Lee Thompson, and Cathy Zimmerman.

Autumn Avenue by Juli Kirk, oil on canvas, 20 x 20 inches

Juli Kirk is a classically-trained artist who prefers to work from her imagination. The results to me are both Impressionistic and Expressionistic—the former where the play of changing light on realistic shapes and visible brush strokes stimulate the viewer’s imagination, and the latter where moods and feelings are evoked.

Kirk lives and paints in Easthampton, Massachusetts and Warrenton, Virginia. She is a cum laude graduate of Boston University’s School for the Arts and has also studied art at Queens College (NY), New York Studio School, Cabrillo College (CA), and the University of Santa Cruz (CA).

Juli continued to paint daily while raising three children, riding for a sale barn, running a boarding stable where she gave riding lessons, and training horses on a freelance basis. She was taught to ride by her mother, who was a show rider competing in her youth at the top shows, including Madison Square Garden. Juli got into racing on the fair circuit in western Massachusetts and eventually traveled to Virginia to work with a cousin, Sharon Maloney, who broke racehorses. During that time, a broncy horse at the sale barn bucked her off. The fall resulted in severe back problems.

Cigar by Nancy Kleck, 24 x 30 inches, oil on canvasEquine and sporting artist Nancy Milburn Kleck has relocated her art studio from the Kentucky Bluegrass country where she lived for twenty-five years to Bluemont, Virginia, near historic Upperville and Middleburg. She relishes the opportunity to expand the scope of her work from mostly racehorses to the foxhunting field as well.