Hunters Moon by Will Ersland, courtesy of Cindy Piper, MFH, Long Lake Hounds (MN) Someone once told Will Ersland, “The horses and people in your paintings have great action—even when they’re standing still!"
Ersland sees himself as a visual journalist. “My paintings record a moment in time,” he says. “They are cropped the way I see the action, and each brush stroke is laid down with confidence and purpose based on my academic background and decades of drawing and painting.”
Ersland’s use of short, flat, planar brush strokes to highlight rounded shapes strikes me as an effective and unique element of his style.
“My style is dictated by the medium—acrylic paints—which dry very fast,” he explained. “I don’t even try to blend them. Instead, I build up form by starting with the darkest values and layering on the lightest values, usually following the form of the object with my brush strokes.
Bundled at the Races by Linda Volrath, oilPainting is a poetic visual language. One of the most satisfying aspects of creating my paintings is using this language to translate a fleeting moment in a tangible and permanent way.
I’m endlessly inspired and fascinated by the thrilling sports of steeplechase racing and foxhunting and the beautiful countryside that encompasses them. Incredible sights, sounds, and events unfold. Jockeys and grooms, athletic horses, hounds, and wildlife all have their role to play. I see my job as an artist to be the visual storyteller. The passion I have for these equine traditions and rural way of life seems perfectly paired with my passion to paint. It is a gold mine of images for my artistic vision.
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