with Horse and Hound

paul mellon

country pursuits.cormack

Country Pursuits: The Mellon Collections

country pursuits.cormackCountry Pursuits: British, American and French Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts, by Malcolm Cormack, Published by the Virginia Museum of Fine Arts in association with the University of Virginia Press, 2007, 474 pages, illustrated, $62.00What a debt we all owe the late philanthropist Paul Mellon, whose love of horses and horse sports was expressed through the fabulous art collections that he so generously shared with us.

The Eclipse Award-winning breeder saddled legendary Thoroughbreds Sea Hero, Arts and Letters, and Mill Reef, just to name a few. His first British art purchase, in 1936, was a painting of a racehorse, "Pumpkin with a Stable-lad" by George Stubbs, said to be his favorite painting by one of his favorite artists. Pumpkin won sixteen out of his twenty-four races at Newmarket turf in the late 1770s and was described as an excellent runner.

“It was my very first purchase of a painting,” Mellon recalled later, “and could be said to be the impetus toward my later, some might say gluttonous, forays into the sporting art field.”

That Stubbs painting was donated to his alma mater, Yale, but the Virginia Museum of Fine Arts was another lucky recipient of Mellon’s “gluttonous” obsession with sporting art. Mellon’s donations are explored in Country Pursuits: British, American and French Sporting Art from the Mellon Collections in the Virginia Museum of Fine Arts by Malcom Cormack. Cormack was the Paul Mellon Curator at the VMFA in 1991 until his retirement in 2004. He also once served as the Curator of Paintings at the Yale Center of British Art established by Mellon.

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Mr. Mellon’s Tribute to the War Horse

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Appalled as we are by the human death and casualty figures resulting from the Civil War, less known is the fact that well over a million horses died in service during that conflict. Many of those horses, belonging to officers and cavalrymen of both sides, must have carried their riders after foxhounds in happier days. 

The late Paul Mellon believed that these animals deserved to be remembered, and he determined to create an authentic memorial for them. The result, a product of artistic genius coupled with painstaking research, is an exceedingly moving piece of sculpture. Any foxhunter or horse lover will be well-rewarded by a visit to the National Sporting Library and Museum in Middleburg, Virginia or to the U.S. Cavaly Museum at Fort Riley, Kansas to see either of the two castings from the original mold. (-Ed.)

The sculpture of the war-weary Civil War horse in the courtyard of the National Sporting Library had its origin in the mind of the late Paul Mellon.

In 1994 Mr. Mellon received a book for his eighty-seventh birthday titled The Cavalry Battles of Aldie, Middleburg and Upperville, June 10-27, 1863 by Robert F. O'Neill, Jr. O'Neill had conducted an enormous amount of research through books and newspapers of the period and letters and diaries of the participants that vividly brings those seventeen days to life. Reading of battles and bloodshed of human and horse right in this community had a profound effect on Mellon.

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