Mrs. Knox -Illustration by E. Somerville“‘He's sleeping at Tory Lodge,’ said Mrs. Knox. ‘He's cubbing at Drumvoortneen, and he has to start early. He tried to torment me into allowing him to keep the hounds in the yard here this season, but I had the pleasure of telling him that old as I might be, I still retained possession of my hearing, my sense of smell, and, to a certain extent, of my wits.’
‘I should have thought,’ I said discreetly, ‘that Tory Lodge was more in the middle of his country.’
‘Undoubtedly,’ replied Flurry's grandmother; ‘but it is not in the middle of my straw, my meal, my buttermilk, my firewood, and anything else of mine that can be pilfered for the uses of a kennel!’ She concluded with a chuckle that might have been uttered by a scald-crow.” -Excerpt from "The Finger of Mrs. Knox"
Foxhunting Life is pleased to bring you downloads of short stories by some of our favorite sporting authors. These works are in the public domain and may be downloaded by you, enjoyed, copied, and shared as you see fit.
For me, drawing animals is an innate gift. My family always had horses, dogs, cats, and all the creatures that we five children could easily collect. At three, my favorite toys were easel and chalk. Recognizing my passion, my parents allowed me to start art lessons at the age of five. By age nine, I was attending all day class every Saturday at the Art Institute of Chicago, with live models and the entire museum in which to work. It was a young artist’s heaven.
Lynn Carlisle was a gifted sporting artist and, though gone, shouldn’t be forgotten. I certainly won’t forget her. Besides my admiration for her artistic talent, I heard coyotes singing for the first time from her back steps in Lexington, Kentucky. (Coyotes hadn’t yet colonized Virginia.) This piece from the Foxhunting Life archives, written by Lynn about her art, was published in January 2012. She was then living in Aiken, SC. Five months later, she was shot dead. Her children maintain a website in her memory and make available prints and stationery bearing reproductions of her animal portraits. -Ed.

For me, drawing animals is an innate gift. My family always had horses, dogs, cats, and all the creatures that we five children could easily collect. At three, my favorite toys were easel and chalk. Recognizing my passion, my parents allowed me to start art lessons at the age of five. By age nine, I was attending all-day class every Saturday at the Art Institute of Chicago, with live models and the entire museum in which to work. It was a young artist’s heaven.
George Whyte-Melville as caricatured in Vanity Fair, 1871You may have noticed that White-Melville and Ogilvie are my favorite poets. These two establish a cadence in their meter that transports me to the field atop a horse, rhythmically pumping his hindquarters and stretching his neck beneath me.
I was pleased to learn from the Dictionary of National Biography, edited by Sirs Stephen and Lee, that Whyte-Melville, being a gentleman of means, “devoted all the earnings of his pen...to philanthropic and charitable objects, especially to the provision of reading rooms and other recreation for grooms and stable boys in hunting quarters.”
This poem has long been a favorite of mine. Whyte-Melville, having been a major in the cavalry and having devoted his life to foxhunting, was an able horseman, I'm certain. Yet though he was thrown out this day, he expresses his admiration for the rider who left him in the dust.