Art

Cigar by Nancy Kleck, 24 x 30 inches, oil on canvasEquine and sporting artist Nancy Milburn Kleck has relocated her art studio from the Kentucky Bluegrass country where she lived for twenty-five years to Bluemont, Virginia, near historic Upperville and Middleburg. She relishes the opportunity to expand the scope of her work from mostly racehorses to the foxhunting field as well.

Drawing by Samuel Howitt used as illustration in a book of fables published in 1818. The rooster and dog are traveling together. The fox tries to trick the rooster into descending, but the rooster leads the unwitting fox to the dog instead.The National Sporting Library and Museum in Middleburg, Virginia has mounted an art exhibit—Scraps: British Sporting Drawings from the Paul Mellon Collection. The exhibit will run from April 6 to June 30, 2012 and will provide a worthwhile destination for those in town for the Virginia Foxhound Show over the Memorial Day weekend in May.

The title, Scraps, is inspired by a series of Henry Alken drawings by the same name, published in the early 1800s, in a loose, informal, and sometimes humorous vein. The exhibit includes original examples of these works by Alken and other sporting artists of the period: Samuel Howitt, Edwin Landseer, Henry Heath, Thomas Rowlandson, Thomas Miles Richardson, and others.

For me, drawing animals is an innate gift. My family always had horses, dogs, cats, and all the creatures that we five children could easily collect. At three, my favorite toys were easel and chalk. Recognizing my passion, my parents allowed me to start art lessons at the age of five. By age nine, I was attending all day class every Saturday at the Art Institute of Chicago, with live models and the entire museum in which to work. It was a young artist’s heaven.

Lynn Carlisle was a gifted sporting artist and, though gone, shouldn’t be forgotten. I certainly won’t forget her. Besides my admiration for her artistic talent, I heard coyotes singing for the first time from her back steps in Lexington, Kentucky. (Coyotes hadn’t yet colonized Virginia.) This piece from the Foxhunting Life archives, written by Lynn about her art, was published in January 2012. She was then living in Aiken, SC. Five months later, she was shot dead. Her children maintain a website in her memory and make available prints and stationery bearing reproductions of her animal portraits. -Ed.

 

For me, drawing animals is an innate gift. My family always had horses, dogs, cats, and all the creatures that we five children could easily collect. At three, my favorite toys were easel and chalk. Recognizing my passion, my parents allowed me to start art lessons at the age of five. By age nine, I was attending all-day class every Saturday at the Art Institute of Chicago, with live models and the entire museum in which to work. It was a young artist’s heaven.

Foxes by Franz Marc, oil on canvas, 1913Franz Marc was a pioneer in the birth of abstract art at the beginning of the twentieth-century. He was born on February 8, 1880, in Munich, Germany and studied at the Munich Art Academy. He traveled to Paris several times where he saw the work of Gauguin, Van Gogh, and the Impressionists.

Marc was a founder in 1911 of the Blaue Reiter group, an influential circle of artists who produced exuberantly colored works based on emotional themes. Much of Marc’s work featured animals---dramatic groups of horses in particular.

The original oil painting of Foxes hangs in the Kuntsmuseum in Dusseldorf, but Giclee prints are available for purchase.

F. Turner Reuter, Jr., curator and board member, and Jaquiline B. Mars, vice-chairman of the board and gala co-chairman  /  Nate Jensen photoMore than four hundred people gathered to celebrate the Museum opening at the National Sporting Library and Museum in Middleburg, Virginia on Saturday, October 8, 2011. Festivities surrounding the opening included a sporting art exhibit, a dinner-dance on the NSLM campus, a three-day coaching event, and a luncheon at beautiful Llangollen.

Susan Smolensky, an artist we featured last December, has won Best in Show at the Women Artists of the West 41st National Juried Exhibition in Rockport, Texas. This was not a sporting art exhibition, but Smolensky’s dramatic steeplechase painting evidently captivated the judges.

Do you have a spare thirty-three million dollars sitting around? If so, you might be able to exchange that piece of change for a George Stubbs masterpiece on July 5. Christie’s of London plans to sell “Gimcrack on Newmarket Heath, With a Trainer, A Stable Lad, And A Jockey,” and that’s their estimate of the painting’s value. You’ll need a large wall upon which to hang it, though. It measures more than six feet by three feet. According to John Stainton, senior director of British pictures at Christie’s, this is “one of the finest sporting pictures ever painted.” It last sold for 12,600 pounds in 1951 and is being sold now by the owners of the Woolvington Collection of sporting art. Posted April 9, 2011... This content is for subscribers only.Join NowAlready a member? Log in here

Bundled at the Races by Linda Volrath, oilPainting is a poetic visual language. One of the most satisfying aspects of creating my paintings is using this language to translate a fleeting moment in a tangible and permanent way.

I’m endlessly inspired and fascinated by the thrilling sports of steeplechase racing and foxhunting and the beautiful countryside that encompasses them. Incredible sights, sounds, and events unfold. Jockeys and grooms, athletic horses, hounds, and wildlife all have their role to play. I see my job as an artist to be the visual storyteller. The passion I have for these equine traditions and rural way of life seems perfectly paired with my passion to paint. It is a gold mine of images for my artistic vision.

I was born in France, raised in Holland, and came to the United States in 1988. While visiting friends over Christmas, I met my future husband and decided to study Fine Arts. I graduated summa cum laude from Northern Virginia Community College, and summa cum laude from the University Of Maryland in Studio Fine Arts. In 1993 I moved from Washington, DC to our farm in Loudoun County, Virginia, and established my studio.

I had been painting large abstract paintings in art school, so I began painting impressionistic landscapes. One day a neighbor asked if I could copy a George Stubbs painting of Mares and Foals from a table coaster. Since horses are my second love, I gladly accepted my first commission. A second Stubbs commission followed, and I started to develop an interest in sporting art.