Jeanne Chisholm

Coming In for a Landing, oil on canvas panel, 20 x 16

When I look at Susan Smolensky’s oil paintings I hear horses splattering brush, I feel the jocks’ precariousness as they go airborne. Grass flies and a horse grimaces momentarily as it's snagged in the mouth. There’s not a strip horse in the lot, but the artist’s exaggerations add to the dynamics of the instant.