By Norman Fine
“Dunlap” by William Dunlap; foreword by Julia Reed, essay by J. Richard Gruber; Jackson, MS: University of Mississippi Press, 2006; available at Amazon
William Dunlap is an important contemporary artist of the South with a powerful affinity for southern landscapes and Walker foxhounds. Dunlap’s work may be seen in many prestigious collections, including the Metropolitan Museum of Art and the Corcoran Collection of the National Gallery of Art.
His book, Dunlap, features more than one hundred works, produced over a thirty-year period. It is published in a trade hardback and a limited edition of two hundred signed, bound-in-linen covers, housed in a matching linen-covered clamshell box. A signed, numbered print featuring four Walker foxhounds is included in the box. The book's cover features a surrealist landscape with a white Walker foxhound, Delta Dog Trot, appearing ready to climb right out of the painting, a nod to nineteenth century trompe l’oeil techniques. The painting, “Delta Dog Trot, Landscape Askew” hangs at the Alluvian Hotel in Greenwood, Mississippi.
Dunlap’s grandfather was “a foxhunter of the old school,” Dunlap writes. “He bred and hunted generations of pure blood Walker Hounds. With names like Lucky, Mary, Speck, Sally and Bo, these dogs were all legs, lungs, nose and heart. They lived to run, but spent most of their lives laying around the kennel, eating, sleeping, stretching and occasionally giving off the deep-throated mouth that would send any fox in earshot scurrying for the nearest hole.