Hound show champions should be photographed so their conformation is clearly visible to potential foxhound breeders, hound enthusiasts, and the historical record. The champions should be memorialized in a fashion such that others may see what the judges saw, as they carefully and critically studied each hound presented.
Historically, that has been the practice, and hound show organizers might want to remind show photographers of their primary mission at the hound show. Yes, we also want to see the smiling faces of the Masters, handlers, distinguished trophy presenters, and judges, along with candid shots of attendees enjoying the day. Those are also important and of interest to many viewers, but a classical portrait of the hound champions is Job-1. What follows are six-steps to achieve the image foxhound enthusiasts want to see.
Of course, there are those experienced photographers who are expert at photographing four-legged animals, both hounds and horses. The basics are pretty similar. Editors of sporting magazines—those who cover dogs, hounds, horses—love those photographers. They make us proud by providing images for publication comparable to our unforgettable prose. So, here are some basic guidelines for shooting hound champion portraits at hound shows, even those that include all the smiling faces.
To the photographer, then. Since you are carrying a camera, I will assume you know all about light, shadow, composition, ugly backgrounds, shutter speed, apertures, and such. Here is only what you need to know about shooting a hound portrait for the benefit of houndsmen.
And, yes, it is the duty of the handler to present the hound properly to the photographer. But since live animals tend to move around, the photographer needs to know when to shoot, and when not to shoot the image.
1. Face the hound squarely broadside (or as close to broadside as you can get). Ideally, you and your camera want to be perpendicular to the axis of the hound. If the photo is taken from too much of a forward angle or too much from a rear angle, perspective may distort the hound’s conformation.
2. Crouch down closer to hound level so perspective doesn’t foreshorten the legs.
3. The foreleg closest to the camera should be vertical to show the hound’s front end angles (shoulder to point of chest to elbow) best. If the pose isn’t ideal, at least one of the front legs should be vertical. The other foreleg may be either vertical or slightly behind.
4. The hind leg closest to the camera should be vertical from the hock down (to show off the shape of the gaskin and a well let-down hock).
5. Head and neck should be in profile, extended naturally.
6. Otherwise, don’t shoot! Instead, make a courteous suggestion to the handler. As in, “Could you please stand your dog up for me?” Or kind words of your own choosing, if you want to remain friends.
This is the ideal pose for the hound. The shot available to you will not always be ideal, but a study of the photos accompanying this article should give you a standard to strive for. There is even some leeway in less than ideal poses that still result in useful shots.
Foxhunting Life will be happy to furnish copies of this article to photographers and to hound show organizers for the guidance of their photographers. These tips should benefit any new hound show photographer, especially.
Posted May 23, 2018